5 Reasons to do Pilates/ 5 Motivos pra fazer Pilates

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Inventor of Pilates, Joseph Pilates at 57 & 82 year old/ Inventor do Pilates, Joseph Pilates com 57 & 82 anos de idade.

EN/  5 Reasons to do Pilates

I decided to make this post because since I started practicing Pilates  just over 1 year, I try selling the idea of getting to do it, for many people.

As teenager I always had back pain, poor posture and (until now) not very fond of working out. After entering a phase of jumping rope as exercise (which is also great option), I decided to try Pilates and since then I didn’t stop. I never liked the gym, I have always been lazy, but I like to find options that fit my personality and that makes me feel happy in working out. So due to it all, Pilates fits like a glove, so here are 5 main reasons that I particularly experience as Pilates benefits:

PT/   5 Motivos pra fazer Pilates

Decidi fazer esse post já que desde que comecei a praticar Pilates à pouco mais de 1 ano, eu vivo vendendo a idéia de começar a fazer, pra muita gente.

 Na minha adolescência eu sempre tive dor nas costas, má postura e (até hoje) não gostava muito de me exercitar. Depois de entrar numa fase de pular corda como exercício (que também é ótima opção), eu decidi tentar Pilates e desde então não parei. Nunca gostei de academia, sempre fui preguiçosa, mas gosto de achar opções que se encaixam à minha personalidade e que eu sinta prazer em me exercitar. Por isso tudo Pilates caiu como uma luva, então aqui vão 5 motivos principais que eu particularmente vivencio como benefícios do Pilates:


1.
Relief of stress and tension / Alivia estresse e tensão
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Carol Hudson: Review/Análise

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EN/   Review: Carol Hudson and her Photographic Work, “From Him, To Him” from The Power of Possessions

My former tutor Carol Hudson’s works on the project “The Power of Possessions” which is formed by a variety of still life photography sets divided in clothing, personal objects and between others, a set of two prints of two pile of letters, which is the main work I will analyse here.

The photographer started the project after her late husband’s death, as a way to get over the period of mourning; she concentrated on “the leftovers scraps of ordinary life” as she describes her husband’s belongings.

The first impression this piece of work attracts is the fact that the photographs are displayed in pair, combining two piles of papers creating an impact in relation to the quantity, which immediately makes me think it has been accumulated and stored. The use of contrasty black and white film reinforces their tones and texture against a black background, attracting attention to the fact that they are opened, causing the viewer curiosity about their content. The division into two different piles displayed together arises the mysterious mood these photographs create in relation to its context.

Looking at the artist’s statement, part of the mystery is solved; these two stacks of letters were found in the attic. One stack comprises letters ‘to him’, the other stack letters ‘from him’. The photographer wrote: “The dates relate to a period of time when a relationship was irrevocably breaking down, a time before I knew my husband. I was torn between a compulsion to read the letters and the fear of what I might discover. In photographing them, I sought hints of the silent, tactile pleasures and heartaches of letter writing and receiving. I didn’t need to read them. I captured the possibility and my choice.”

I find this piece of work intriguing mostly because the artist herself is not aware of the letter’s content, just like the viewers, as well as I can see her conflict in relation to these letters and object that are under her possession, but are not her own. The photographer overcomes a difficult period in her life and makes the hard decision to get rid of some objects and at the same time respect her late husband’s privacy in relation to the letters.

Would you be able to make this decision?

Carol Hudson’s Website: carolmhudson.com


PT/   Análise: Carol Hudson e seu trabalho fotográfico, “Dele, Para Ele” de O Poder das Possessões

O trabalho da minha antiga professora da faculdade Carol Hudson no projeto “O Poder das Possessões “, que é formado por uma variedade de fotos de objetos, divididos em roupas, objetos pessoais e entre eles, um conjunto de duas pilhas de cartas, que é o principal trabalho vou analisar aqui.
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Exhibition: “Memento” at Open Arts Café

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EN/   Exhibition: “Memento” at Open Arts Café

Described on their own website, Open Arts Café is “a monthly themed arts evening giving artists from all mediums a chance to present new and original work at various stages of development. It was established in 2008 by Maya Levy with Tyne Rafaeli to give artists a chance to present their work in developmental and/or performance stage in a non-pressurised, dynamic and constructive atmosphere.”

http://www.openartscafe.com/

When I got to know January’s theme, “Memento”, I crossed my fingers that they would still have space for someone to exhibit, and thought straight way of my “Melancholia” project from May 2014. To get to know about the project, click here!

Maya Levy organised the night brilliantly at the West London Synagogue in which supports the seasonal events. As artists, we had all support of technical materials to be able to exhibit/perform, following a schedule which gave each artist time with the audience.

To get to know more about the artists that included: Poetry, Drama, Dance, Comedy, Music, Painting and Photography (me), check the event’s page on Art Rabbit here, and find their links.

It was the first time that I participate in a collaborative exhibition that engages artists from different mediums, putting together their projects around the same theme. Certainly a very important chance to show my work, to be within artists and their enriching ideas.

Now check some photos of the exhibition and the show:

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PT/   Exposição: “Momento” na Open Arts Café

Descrito em seu próprio site, Open Arts Café é “uma noite de artes mensal e temática dando artistas de todos os meios a oportunidade de apresentar trabalho novo e original em vários estágios de desenvolvimento. Foi criada em 2008 por Maya Levy com Tyne Rafaeli para dar aos artistas uma oportunidade de apresentar o seu trabalho em fase de desenvolvimento e / ou desempenho em um ambiente não-pressurizado, dinâmica e construtiva “.

http://www.openartscafe.com/

Quando soube do tema de janeiro, “Memento”, eu cruzei meus dedos para que eles ainda tivessem espaço para alguém para expor, e logo lembrei do meu projeto “Melancholia” de Maio de 2014. Para conhecer sobre o projeto, clique aqui!

Maya Levy organizou a noite de forma brilhante na sinagoga West London Synagogue, que apoia os eventos sazonais. Como artistas, nós tivemos todo o apoio de materiais técnicos para poder exibir / executar performance, seguindo um cronograma que deu a cada artista seu momento com o público.

Para conhecer mais sobre os artistas que incluíram: Poesia, Teatro, Dança, Comédia, Música, Pintura e Fotografia (eu), consulte a página do evento no Art Rabbit aqui, e encontrar os seus links.

Foi a primeira vez que eu pude participar de uma exposição colaborativa que envolve artistas de diferentes mídias, reunindo seus projetos em torno do mesmo tema. Certamente uma oportunidade muita importância para mostrar o meu trabalho, além de estar entre de artistas e suas idéias enriquecedoras.

Agora veja algumas fotos da exposição e da noite à cima! 😉

Melancholy/Melancolia

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Melancholy, Presence of Absence

EN/   Melancholy

Today is World Mental Health Day, so I decided to contribute to the Awareness week by posting a project I developed at university in 2014. It was the first week of Year 2, Semester 2 and we had to get into groups depending on the subjects we would work on to create a photography artefact to be exhibited in a gallery. I wanted to work on something related to the fading of time, passage or memory somehow. That was when some students approached with their initial ideas of working with family and loss. At first I felt I wouldn’t fit into the group, and that I didn’t wanted to work with such tense subject, but then realised it could be related to the feeling I had about time, more or less related to family, generations and loss that are always present  in a way in my life.

Analysing this I noticed that I could work on something I have been thinking about a lot in that past months, which is the fact that I am melancholic and through the years I felt it in different ways and have to deal with a contrast of feeling it brings me. For these past months I read a lot on this state of mind/being, before deciding working on it for a photography project, which helped me to understand how I feel it, making me see it in a good inspirational way, as part of the person I am.

There is no reason to feel melancholic, but once I feel it, it is like being drag back to things in the past that can never come back, or simply the fact that in the present I am having either good or bad time, and can´t be with people I used to, loved ones that are far away and neither I can be part of their life totally and neither they can be present on mine. Due to leaving my country in the age when you get your best friends, moving around many times and not being able visit them and family members also, always have this melancholic feeling. This made the exhibition called “Presence of Absence”.

I decided to read more about this to be able to develop my project, looking at Ancient Greek and Roman Mythologies which I have always been interested on and that have a peculiar view on this subject. Mourning and Melancholia by Sigmund Freud, which was complex to read but helped me a lot to see specially the differences and similarities between these two feelings that our theme involves. I noticed that like me other people see it in good and bad way, sometimes choosing only one side of it, but in my case I deal with both and think both are important to live so that I develop myself as a person and end up having something constructive from it.

The set of photographs is portraying in an abstract way the state of mind of Melancholia with similarities and differences to the loss/mourning feeling. The fear of loss and constant knowledge of the existing or future absence from someone’s life is present on my life and having to deal with it inside is what inspired to produce the work. Approaching the different ways this feeling gets personally manifested, I interpreted them making emotion visual by using distinctive medium and tones: one brutal & extremist (using medium format camera with B&W film) and other inspirational & poetic (photographing digitally and in colour).

See the project on my Fickr album, Presence of Absence


Here are some research I did and reading suggestion on the theme:

“The melancholic in contrary of someone who tries to hide their weaknesses, find through an extremely self critical behaviour, a profound self knowledge.”  Freud

Theories before the Renaissance, linked Saturn and melancholia.

Ancient Greek and Roman Mythologies

The Romans identified Saturn with the Greek Cronus, whose myths were adapted for Latin literature and Roman art. In particular, Cronus’s role in the genealogy of the Greek gods was transferred to Saturn.

Saturnalia festival in the Roman calendar led to his association with concepts of time, especially the temporal transition of the New Year. In the Greek tradition, Cronus was often conflated with Chronus, “Time,” and his devouring of his children taken as an allegory for the passing of generations. The sickle or scythe of Father Time is a remnant of the agricultural implement of Cronus/Saturn, and his aged appearance represents the waning of the old year with the birth of the new.

Saturn in Astrology

Saturn takes rulership of the signs that govern midwinter, like Capricorn. Therefore governs the melancholic temperament in these individuals. The colours of Saturn are those that want for the vibrancy of additional hues, being typically dark and black (Saturn’s contact can add an element of darkness to other colours), white and pale, or a grey, ashy colour. They do not display their emotions easily, but their emotions, like their imaginations, can be profound. Such individuals are observably deep, sincere, and generally gather respect.

Walter Benjamin on Origine du Drame Baroque Allemand
The influence of Saturn makes people “apathetic, indecisive, slow”
“ I came into this world under the star of Saturn- the star of the slowest revolution, the planet of detours and delays…”

Susan Sontag on “Under the Sign of Saturn”:
“Slowness is one characteristic of the melancholic temperament”

Victor Hugo “Melancholy is the happiness of being sad.”

“Saturn and Melancholia” Authors: Klibansky, Panofsky and Saxl
“The planet Saturn commanded the days in which human’s vital energy would get minimized, turning them almost infertile.”

Pictorialism symbols: hand holding head, Durer painting

Lars von Trier’s film, Melancholia

Literature, W.S. Sebald “Rings of Saturn”

Italo Calvino “Melancholy is sadness that has taken on lightness.”

Aristotle explained brilliance of mind and the exceptionality of great men in literature, politics, philosophy and the arts in terms of melancholy, that all those who have become eminent in philosophy or politics or poetry or the arts are clearly melancholics.

Freud, “The melancholic in contrary of someone who tries to hide their weaknesses, find through an extremely self critical behaviour, a profound self knowledge.”


PT/    Melancolia

Hoje é o Dia Mundial da Saúde Mental, então eu decidi contribuir para a semana de consciência postando um projeto que eu desenvolvi na faculdade em 2014. Foi a primeira semana do segundo ano, no segundo semestre e tivemos que entrar em grupos, dependendo dos assuntos que iriámos trabalhar e criar um artefato fotográfico para ser exposto em uma galeria. Eu queria trabalhar em algo relacionado com o passar do tempo, mudanças ou com memória de alguma forma. Foi quando alguns alunos se aproximaram com as suas idéias iniciais de trabalhar com os temas, família e perda/luto. No começo eu senti que eu não iria me encaixar no grupo, e que eu não queria trabalhar com um assunto tão tenso, mas depois percebi que esses temas poderiam estar relacionado com o tempo, mais ou menos relacionadas à família, gerações e perda que estão sempre de uma forma na minha vida.

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Conscious and Braveness/Consciente e Coragem

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Innocent Fun at Favela Jardim Colombo, Sao Paulo, Brasil.

EN/   About Conscious and Braveness 

Over the years I realised that my courage to the adventures, changed a little its attitude. The maturity made me more conscious and aware of danger, a vision of possible variables that can make things go wrong, and not only wrong, being unsafe.

Always noticed that people who never had such an experience and are the optimistic type, are even somewhat naive when facing situations and end up running into something worse than imagined and discover they were not prepared for that.

The lack of knowledge about a subject that individual immune to fears and insecurities, perhaps braver and therefore happier, since there is nothing to worry about.

From the moment that you have an understanding of the problems around you, either about work, marriage, family or personal, is enough to prevent yourself, thinking and worry about them, beginning to develop ways to solve them. This would already cause some anxiety, but if the individual is not aware of these problems, or are not seeing them clearly, would never give proper attention until it comes to an extreme that reaches directly to then, forcing a reacting to it.

I always wonder: will be better to have the knowledge and prepare for it, which involves concern and anxiety, or to keep away from them and they just have an attitude when there is an explosion?

Photograph from Brazil 2014 project, on Wembley to Soweto Workshop during Brazil 2014 World Cup. See all photos on my Flickr.



PT/   Sobre Consciente e Coragem

Com o passar do anos fui percebendo que a minha coragem para as aventuras, mudou um pouco de postura. A maturidade trouxe uma consciência de perigo mais alerta, uma visão de possíveis variáveis que possam fazer as coisas darem errado, e não só errado, passam a não ser seguro.

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